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Home2022-05-07T14:42:37-04:00

PreSonus ioStation 24c Audio Interface & Production Controller Review

Over the years, PreSonus has released different variations of its FaderPort Production Controllers. You have the FaderPort 8 (that’s the one I have), the FaderPort 16, and the baby brother FaderPort, which is a one fader production controller. The FaderPort Production Controller is just that, a production midi controller for [...]

By |August 28, 2020|

NUGEN SEQ-S & SEQ-ST High Resolution EQ Plugin Review

In this article, we will discuss NUGEN’s SEQ-S high-resolution EQ plugin. SEQ-S features; Linear phase EQ Spline EQ, directly draw your EQ curve 2 formats - Surround (up to 7.1), and Stereo (stereo and mid/side processing) Match EQ Function Morph EQ Function 3 Channels of EQ It’s a versatile, musical, [...]

By |May 6, 2020|

O.C. White Podcast Pro by Accu-Lite Review

With the plentiful availability of boom mic arms and the uptick of new podcast popping up on your favorite podcast platforms, there’s no secret that the right type of gear makes a huge difference in your production. Enter the O. C. White Podcast Pro by Accu-Lite boom arm. The Podcast [...]

By |April 22, 2020|

Accentize VoiceGate Intelligent Audio Plugin Review

This article will be a quick overview of the VoiceGate plugin from Accentize. To see and hear the plugin in action, check out this video. Accentize claim the device is a new approach to gating signals. It aims to remove and suppress unwanted content in a voice recording. Is this true? Let’s check [...]

By |March 19, 2020|

How to setup the Rodecaster Pro Multitrack Recording with PreSonus Studio One

Crossfadr is getting into the podcasting space…makes sense right. We have a full recording studio with audio interfaces, microphones, keyboards, etc., but decided to go another route when recording our podcast (show title coming soon). We ended up purchasing the Rode Rodecaster Pro and four Rode Podmics. This setup is [...]

By |January 8, 2020|

KRK ROKIT 8 G4 Review

KRK ROKIT monitors are among the most popular on the market, but it is fair to say that former ranges have been the subject of quite a lot of debate in audio communities. They look impressive, and they are marketed well, but some of the incarnations of their speakers have [...]

By |August 12, 2019|

PreSonus Eris E4.5 Review

When a music brand releases a set of active speakers with a price tag of around the $200 mark, it is natural to think that they won’t be the best out there. Though this is not chump change, for a top-end studio monitor set you can spend many times the [...]

By |July 22, 2019|

PreSonus ATOM: Production and Performance Pad Controller Review

The PreSonus ATOM is the first pad controller released by PreSonus, and as you might expect, it is designed to natively synchronize with the brand’s “Studio One” production and performance software. Whether you use this software or not, the ATOM is an attractive prospect as a pad controller for virtual [...]

By |May 20, 2019|

Ghost Producing, Part III: How it Is and How it Could Be

In 2013, nobody was talking much about the ghost production industry. The DJs, artists, and performers who used ghost producers never admitted to it, and when rumors surfaced that someone was using a ghost producer, it was treated a scandal. By 2015, a few big-name DJs like Tiesto and Benny [...]

By |May 14, 2019|

Serato & Tidal Streaming…Thoughts After One Month Of Use

Remember when Pulselocker just got up one day and shut down its service. That was back in November of 2017. Serato, RekordBox and Virtual DJ users were FUCKED! Beatport later purchased Pulselocker and will inevitably launch a similar service, let’s call it “Beatport LINK” LOL. I did use the Pulselocker [...]

By |May 8, 2019|
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