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Native Instruments Insolvency: The Real Reason Updates Stopped
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Crossfadr
2023-12-07T17:24:47-05:00
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Music Production
Impulse Buy – The Novation Impulse MIDI Keyboard
By
DJ Lumo
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Entertainment
LA’s Overeasy Records – Keeping the Beat Alive Downtown
By
Alex Baker
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DJ
Will The Real Pro DJ App Please Stand Up?
By
Mark Della-Libera
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DJ
A Precious Gem – The Gemini CDJ-700
By
DJ Lumo
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Entertainment
Sounds of the Design District
By
Maggie de la Peña
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Entertainment
LA's Funky Sole – Where it’s at on Saturday nights
By
Alex Baker
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DJ
Review: Hercules DJ Control AIR
By
Crossfadr
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Music Production
Dub Pistols Main Man Barry Ashworth – the Crossfadr Interview
By
Alex Baker
|
Entertainment
Miami – EDM Approved
By
Crossfadr
|
Entertainment
Apps ain't Apps
By
Mark Della-Libera
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DJ
DJ Pierre: Crossfadr’s Exclusive Interview with the Acid House Pioneer
By
Alex Baker
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Entertainment
Predictions for Post-Grammy Dubstep
By
Crossfadr
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DJ
Review: Mixvibes Cross DJ Remote App
By
Mark Della-Libera
|
DJ
DJ Lora is not your stereotypical DJ
By
Crossfadr
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Music Production
Become the King of Kong – A Tutorial on Reason’s Kong Drum Designer
By
DJ Lumo
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Entertainment
Whatever Happened To Paying Your Dues?
By
Mark Della-Libera
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Entertainment
Numark acquires Sonivox
By
Crossfadr
|
Entertainment
Genre Overview: Acid House
By
Alex Baker
|
DJ
A Mixxx Review
By
Mark Della-Libera
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Entertainment
DJs Are Geeks!
By
Mark Della-Libera
|
Entertainment
Gemini Ships Highly Anticipated CDJ-700
By
Crossfadr
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Entertainment
Classic Album Review: Deee-Lite’s World Clique
By
Alex Baker
|
Entertainment
From 12” to 8GB: The Evolution of DJ Media
By
Mark Della-Libera
|
Entertainment
2012 NAMM Show: What’s New For DJs?
By
Alex Baker
|
DJ
Introducing The One: The New Breed of DJ Software
By
Crossfadr
|
DJ
The Reloop Jockey 3 Takes the Triple Crown
By
DJ Lumo
|
Music Production
IK Multimedia iRig MIX Mobile Mixer
By
Crossfadr
|
Entertainment
Crossfadr at NAMM 2012
By
Mark Della-Libera
|
DJ
Reloop Terminal Mix 4
By
Crossfadr
|
Entertainment
How the Online shift to "Web 2.0" has altered the career of the working DJ
By
Matt Gerrard
|
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