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How Kendrick Lamar Obliterated Drake with 'Not Like Us': A Rap Battle for the Ages

EntertainmentCrossfadr2023-12-07T19:39:15-05:00

ENTERTAINMENT

Entertainment
Where Have You Been?: Is a Dance Music Comeback Possible?
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‘Blackout’ Review: EDM Documentary Doesn’t Get Past The Surface
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Capital Xtra: What Happens When FM Radio Tries – and Fails – To Get on the EDM Bandwagon
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Which DJs Should You Watch in 2014?
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EDM – The Acronym That Shall Not Be Named
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What your fan page says to promoters
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The Top 100 DJs of 2013, by Data.
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What Layoffs at Beatport Could Mean for the Rest of Electronic Dance Music
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EDM in 2013: The Best and The Worst
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Connecting The Dots
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Who Cares If She’s Hot or Not: Is EDM Getting Better For Women?
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Prime Loops Puts Out EDM Essentials: Minimal
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The Pros & Cons of Being a DJ
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Revibe.fm: Good Start for EDM Streaming Service, But Needs More Features
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Getting on a Major Label: An EDM Producer’s Next Career Move?
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Does EDM Have The Solution for Combating Leaks?
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Digging In The Crates: A List Of DJ Turntables To Consider
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More Than The Lowest Common Denominator: Making Electronic Dance Music Seem Less “Dumb”
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Who’s Actually Making Money from EDM?
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Video: Deep House Mix by Trevor Nygaard
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The Las Vegas Effect
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Why you shouldn't be pissed off about DJ Mag's 2013 Top 100 DJs Poll
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Producers vs. Keyboard Players: Why Does Instrumental Electronic Music Feel Like Its Own Genre?
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Is It Time To Upgrade To Live 9?
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Major Lazer, Are You Insane?: Why “Teaching Kids to Take Drugs” is Wrong for EDM and Everyone Else
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Three Reasons Marketing Now Pays Attention to EDM and Its Fans
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Party Guy Records Follows Up: The Future Sounds of North America II
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An Empty Spectacle: The Relationship Between Visuals and Sounds in EDM
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Atlantic Connection’s ‘The Limit’: Post-Dubstep, American Style
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