For EDM, entering the “mainstream” music sphere officially over the last two years has come with a few exhilarating peaks, like earning a top Billboard 200 hit, and seemingly perilous lows, such as sales and accolades heaped on David Guetta, Calvin Harris, and other producers who put out half-assed pop house. Album leaks, such as part of Avicii’s True ending up online before the official release date, fall in between these two extremes, but rather than the hectic hullabaloo seen when such a happenstance occurs in pop music, the overall attitude seems to be, “Wasn’t it already on the internet, anyway?”
In this regards, rather than molding EDM to pop music conventions, which has unfortunately become the case for several artists (looking at you, Guetta and Harris), the pop music world can learn from – and perhaps even adapt to – EDM’s producers.
If you read the headlines concerning pop, hip-hop, and even rock and country, you know that practically every artist experiences a leak. Most cases involve a low-quality track ending up on Soundcloud, YouTube, or a torrent site, with the label taking it down in a day or so.
Reactions from artists and labels vary. “Applause,” the lead single from Lady Gaga’s ARTPOP, made its way onto the internet nearly a week before its August 19 release date. The singer declared it a “pop music emergency” on Twitter, and from there, she and her label appeared to debut “Applause” for radio and digital distribution on August 12. The thought of fans hearing her music a week in advance caused the pop star to put out a berserk string of tweets, most written in caps, about the incident. While it’s pretty insignificant to print here, you can read Gaga’s full rant against the leaked track on Mashable.
From an EDM perspective, you can’t help but think, “Geez, Lady Gaga, chill out. They’re just low-quality leaks. Fans will hear the full, quality version soon.” Even though the internet brought up Gaga’s career and those for nearly all EDM producers topping Beatport and Billboard charts, similarities end here. For Gaga, the internet’s transparency becomes a sordid pathway of anonymous hacks stealing her songs and broadcasting them without her permission, but when it comes to keeping fans interested on social media, an unfinished track isn’t always a bad thing. For many producers, adding unfinished tracks to Soundcloud and putting them into DJ setlists keeps a fanbase focused.
Even with top-ranked producers, a track may enter a DJ setlist a year before an official release. Take Avicii’s 2013 Ultra Music Festival anthem “UMF”: Over a year before it officially came available, the producer weaved the synth lines frequently enough into his sets that fans wondered when the track, informally called “Levels 2,” would come out. Nicky Romero collaboration “I Could Be The One” has a similar story and trajectory, although the vocal-shrouded final result felt unsatisfying after a wait of nearly a year.
Putting out a half-finished track, either on Soundcloud or in a setlist, further lets fans know there’s something in progress – that a producer will be putting out a new release soon. Deadmau5 did this around the release of >Album Title Goes Here< a year ago: A few tracks like “Arcadia” appeared on his Soundcloud account in the fall and, by May 2013, a few more (“Suite 03,” “Monophobia,” and “Killthemau5”) came out as a preview of what to expect in 2014.
Even when the 2012 full-length release leaked, Deadmau5 responded on Twitter with the following: “‘you know your album got leaked right? ‘hey someone leaked yer album’ okay! I get it. Idgaf how you get it, I just want you to enjoy it.”
So, when you attempt to keep fans interested in the pop music realm and a label won’t let a half-finished track see the light of day, what do you get? Artists like Rihanna putting out throwaway albums once every year.
In one sense, the pop star as label puppet cliché holds particularly true when putting out tracks is concerned. Take Drake, who has a habit of previewing tracks online before an album release. Back in 2011 not long before his sophomore album Take Care came out, the rapper/singer put out Soundcloud links to songs “Marvin’s Room” and “Trust Issues,” but Young Money parent label Universal quickly took them down. The rapper then tweeted in response: “Universal needs to stop taking my f***ing songs down