Reviews

  • Reloop Terminal Mix 8: Solid Design With Seamless Serato Integration

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  • Fostex PX-6 Monitors Offer Clear Sound Quality and Simple Functionality

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  • Allen & Heath’s Xone:43C: Quality Analog Mixer With Excellent Digital Features

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  • Reloop Beatmix 4: A Good Starter Controller

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  • Native Instruments’ Maschine Studio: A Bunch of Features Right at Your Fingertips

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  • Komplete Kontrol S-Series: Quality Feel, Excellent NI Software Integration

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  • Komplete 10 Ultimate: More Sounds and Effects from One Software Package

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  • Cerwin Vega’s P1000X: P-Series Power in a Smaller Package

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  • Reloop Neon: Getting Full Access to Serato

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  • Denon Aims High With MC6000MK2

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  • Fostex PM0.3 and PM-SUBMini: Best Speaker and Subwoofer Pair for Your Money and Space

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  • Akai iMPC Pro – Akai’s Flagship Mobile Production Suite

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  • Bitwig Joins the Bigwigs – A Review of Bitwig Studio

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  • MPK Reloaded – A Review of the Akai MPK 261 Keyboard

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  • Trigger Happy – A Review of the M-Audio Trigger Finger Pro

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  • Production Gone Mobile: Why mobile software is worth checking out

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  • GeekDesk Review: The Right Posture for a Producer

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  • International Bass Station – A Review of the Novation Bass Station II

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  • Beats by Korg – What’s Old is New Again With The Korg Volca Beats

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  • Ableton Push: Working Wonders with Live 9

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  • Welcome DAW Newcomer: Bitwig Studio 1.0

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  • KRK ROKIT 8 G3 Review: New Level of Clarity in Generation 3

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  • Numark NS7II Review: Versatile and Comprehensive 4-Channel Controller

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  • Reloop RMX-80 Digital Review: Decently Priced Club-Style Mixer

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  • ‘Blackout’ Review: EDM Documentary Doesn’t Get Past The Surface

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  • Capital Xtra: What Happens When FM Radio Tries – and Fails – To Get on the EDM Bandwagon

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  • In Search of a More Fluid Mix – A Review of Flow by Mixed In Key

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  • Prime Loops Puts Out EDM Essentials: Minimal

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  • More Usable, More Likeable, More touchAble – A Review of touchAble 2 for iPad

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  • Revibe.fm: Good Start for EDM Streaming Service, But Needs More Features

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