KRK VXT6 Review: Quality in Every Component

If details go into a piece of gear’s design, will the sound be as equally high-quality and fine-tuned with such meticulousness? In the case of the KRK VXT6, a two-way active studio monitor with a six-inch Kevlar woofer, this notion proves to be true. Even when it comes down to [...]

By |2023-11-23T22:22:57-05:00October 7, 2013|

Conductr iPad Controller For Ableton Live: Review

More and more iPad controllers for Ableton are appearing all the time. Conductr is a new offering that claims to stand out from the crowd in that it is specifically designed for live performance. It certainly does have an elegant and intuitive interface that appears well suited to being used [...]

By |2023-11-23T22:22:57-05:00October 4, 2013|

Vocal Recording and Processing: Part 3

In the first two parts of this guide (Pt 1 & Pt 2), we showed you how to capture a great vocal sound and a fantastic vocal performance. Now that you have the vocal recorded, how do you process it to ensure that it can compete with the very best [...]

By |2023-11-24T07:49:58-05:00September 23, 2013|

Vocal Recording and Processing: Part 1

Early in their careers, many producers of electronic music have little or no experience of recording live vocals. This is obviously due to the fact that we are able to achieve often excellent results through the use of samples. Eventually however, many of us will want to start using vocalists [...]

By |2023-11-24T07:50:27-05:00August 30, 2013|

Sub Phatty | Modular Control

Suit & Tie Guy of STG Sound Labs brought his modular synthesizer by the Moog Sound Lab and controlled four of our Sub Phatty Analog Synthesizers with his labyrinth of analog module.  

By |2023-11-24T07:50:38-05:00August 23, 2013|

We Have Liftoff! – A Review of the Novation Launchpad S

By now, you’ve probably heard of Novation’s Launchpad, one of the first and most successful dedicated controllers for Ableton Live. With its minimalist grid of 64 white-on-black pads and zero-hassle integration with Live’s main performance features, the Launchpad added a new sense of flair to the performance and creation of [...]

By |2023-05-31T18:33:32-04:00August 12, 2013|

Analog Summing Vs. In The Box Mixing

Much has been written on the benefits of analog summing vs. ‘in the box’ mixing and in many contexts, the benefits are undoubtedly there. However, the importance of analog can often be overstated, particularly if you are just starting out as a producer. What is Summing? During your mix, you [...]

By |2023-11-24T07:50:48-05:00August 7, 2013|

An In-Your-Face Interface – The Stylish Akai EIE Pro

Trying to choose an audio interface in today’s market is tough. For DJs, the choice is somewhat limited, as some of the most popular software is hardware-integrated with a specific set of sound cards. For producers, the story is a little different. It has always seemed to me that budding [...]

By |2023-11-23T22:22:57-05:00August 2, 2013|

The Magic Bus – A Review of Harrison Mixbus

What is Harrison Mixbus? It’s a DAW, sure – but it’s also a professional mastering tool all wrapped up in an affordable and easy-to-use package. By now, we’re so used to the vast ocean of all-in-one recording, editing, mixing, and mastering solutions costing $400 and up in an attempt to [...]

By |2023-11-23T22:22:58-05:00July 22, 2013|

Creative Use Of Noise Gates

Noise gates are often somewhat underused by producers of electronic music. Noise gates (or just simply, ‘gates’) were initially developed, as the name suggests, to stop unwanted noise from creeping into a mix. Imagine for example, that you are recording a drum kit live; the kick drum mic will pick [...]

By |2023-11-24T07:50:59-05:00July 15, 2013|
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